Ballet Luminary Matthew Ball on Grueling Parts and Online Scrutiny: 'I'm Not Protective About My Body'
Within the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's posture is naturally upright, his limbs defined beneath a simple tee. During performances, dancers can appear like mighty gods, yet frequently offstage they are small. Not so Ball, whose height is part of his demand for heroic roles and partnering. With fine traits and intense eyes, there's a touch of Robert Pattinson about him.
A Seamless Rise to the Top
Now 31, Ball is experiencing the peak of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his childhood passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was promoted annually, attaining the highest position of principal in 2018. He has loved tackling meaty characters, especially the emotional turmoil found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next starring role is in a talk, in an "Evening With" event designed to offer intimate insights into a dancer's art. He will guide the audience through a role, showing his cognitive process while execution. Even in more comedic works, the test is significant. "Don Quixote is one of the most demanding technically," he notes.
The Psychological Struggle and After the Show Feelings
What about after a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, quite often I do feel self-conscious later. After Mayerling I'm always like: Wow, what must people think?"
In person, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once remarked on a "kind of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Early Motivations and Artistic Influences
His determination originated in early setbacks. Not excelling in contests at school made him "driven!" This became motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.
The next endeavor is making his own dance works. In his view, "there's nothing wrong with." "Challenging the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from literature, music, and painting.
Close-Up Performance and Personal Dynamic
He also is interested in staging dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"
Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They aren’t typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Perception
On Instagram, fans can see clips from his projects and photos that showcase a athletic form. Does he mind that the response can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.
Ball describes his early self as "eager for success." Did it lived up to his expectations? "I feel very aware of how life is a separate reality to the dreams you had as a young person," he reflects. He likely has about ten years of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."